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RANTS AND MUSINGS

When I get inspired or annoyed enough, I sometimes write something about dancing. Check back here periodically, and see what’s on my mind.

(first in a series of writings)

DANCING TIPS

When I attend classes and workshops or watch tapes, I make sure I pick up some tidbit of information that helps me improve my own dancing or make me a better teacher, even if I don't learn a new pattern. Sometimes I learn a new way to fix an old step, other times it's a better way to lead/follow. Often times, these tips are simply new ways to visualize or explain a movement. And there are always terminology clarifications and standardizations. I pass these on to you, in no particular order, in hopes that you can also learn from them. My thanks to all the instructors/coaches/judges who have shared their knowledge.

* Count that day lost when you do not learn something.

* Don't clutch your partner's hands: no one is leaving.

* Feet move faster than bodies, so we must begin movement with our bodies. FFF--feet follow frame.

* Hooks=cross foot in back, cross=cross foot in front.

* Slow counts have two full beats: use them.

* Don't slide your feet; you can't get your body's center over your foot fast

enough.

* It is not a crime to be a beginner, only to look like one.

* Followers: there should be no air between your legs when you turn.

* Followers: leave your arms where the leader put them; don't drop them, raise them, grab for a hand, go for closed position, etc.

* Leader: don't hulk or loom over partner; follower: don't drape or hang all over partner.

* Leaders always ASK their partners to do something, not TELL them.

* Technique is the way we execute a step; if a step works more easily or looks smoother a certain way, then that technique IS better. Style is how we look when we execute a step; it is a personal choice, not right or wrong.

* Leaders: if your partner gets too far away from you on turns, it's probably your fault; you gave the follower too much arm length.

* There are three types of leads. In order of use, they are: physical, visual, verbal. Physical leads use your body to move or stop your partner; visual leads present a hand to your partner, usually from an open position, when you do not have multiple points of contact; verbal leads are primarily for flips and lifts, to assure that your partner is ready. * Followers wear a halo (slightly tarnished) when they dance. Leaders should gently polish the halo to lead turns.

* Beginners make mistakes; advanced dancers syncopate.

* Two important notes on pivots: 1) Pivots always turn in the direction of the foot that is in front, whether the pivot goes forward or backward; 2) the standing foot always ends facing forward.

* In music, the base drum hits the downbeat, the snare drum the upbeat.

* 75% of mistakes are made by followers; 95% of these are caused by bad leads.

* If there are no beats to the music, don't take steps; do body movements.

* While your partner sees you from the front, everyone else sees you from the back; be sure your frame and shape look good to your audience.

* Close=feet together but no weight change (touch); together=change weight as you bring feet together.

* Whenever possible, get body rather than hand contact for leads.

* A new move may feel unfamiliar; however, if it feels uncomfortable, it's probably wrong.

* No, everyone is NOT looking at you. You should be so lucky!

 

 

 

"Dance, dance, for the figure is easy, the tune is catching and will not stop"-W. H. Auden
 

 

Copyright 2017 Julie Kaufmann Dancin'